
SuperTele 240mm Mobile Lens II (T-Series)




































Cinema-grade optical glass over your phone's main camera — long reach with sharp detail where digital zoom falls apart.
A long telephoto stacks distant layers together and melts the background into soft, cinematic blur — the look of sports and wildlife glass.

Multiple precision-ground glass elements hold sharp detail at distance — built to deliver edge-to-edge clarity from far away.
CNC-machined aerospace-grade aluminum with a blackened interior — strong, balanced, and built to handle a long lens while keeping light where it belongs.
Our purpose-built bayonet system for phones — guided alignment and a quick twist-to-lock attachment that holds steady on the move.

Our step-by-step guide to shooting tele on your phone.
| Phone | Works? | Recommended Mount |
|---|---|---|
| iPhone 17 Pro & Pro Max | Yes | T-Series Case w/ Drop-in Mount |
| iPhone 16 Pro & Pro Max | Yes | T-Series Case w/ Drop-in Mount |
| iPhone 15 Pro Max | Yes | T-Series Case w/ Drop-in Mount |
| iPhone 15 Pro | No | T-Series Case w/ Drop-in Mount |
| All other iPhones | No | - |
| Androids | TBD | TBD |
Download our app for full manual control over your camera settings when shooting with our Mobile Lenses. Manual focus, exposure priority shooting, 48MP ProRaw, and so much more.


Customize your perfect mobile rig with our camera phone kit builder.
Your gear should last as long as the memories you make. We’re committed to quality, and our Lifetime Guarantee means we’ll make it right if there’s a manufacturing issue.


Attach with a Moment Case and Drop-In Mount, or our Universal Lens Mount. Check the compatibility chart below.

Optional, but worth it. The Moment Pro Camera app ($9.99) lets you lock to your main lens, where the native camera app auto-switches lenses on you and can break the shot.

Optional, but recommended. Long reach amplifies every shake — use a tripod, a Moment cage, or brace against something solid for the sharpest, steadiest shots.

Long glass flattens distance and stacks layers together. Use it to pull a distant subject forward and melt the background into a clean, cinematic blur.
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