Better In Low Light
This mobile 18mm wide-angle lens performs much better in low light than the built-in ultra-wide. Using this lens over the 48MP built-in wide lens allows you to take in more light, resulting in a brighter and much cleaner image than the built-in ultra-wide lens while capturing a stunning 100-degree field of view. This enables you to capture those special moments in trickier conditions with cinema-grade glass, all within that phone in your pocket. This is actually the reason I always advise fellow smartphone filmmakers to use external lenses. If you want the most professional-looking footage or photos, then realistically, you need to invest a little.
Before I knew it, I was having a great old time filming anything and everything I could — from streams to grand buildings and even enormous oak trees. No matter what I shot, I was having fun — something I never thought I’d say about a wide-angle lens. The quality of the shots is superb, and they are sharp from corner to corner, too. Not to mention, there were some very beautiful lens flares when using the sunlight at the right angles behind my subject.
This lens is so versatile that it lends itself to many forms of filmmaking. As a narrative filmmaker myself, it gives me a fantastic alternative to the ultra-wide, maintaining clarity even in lower-light situations. Having options and flexibility is key in smartphone filmmaking, as, by nature, things can be pretty run-and-gun.