The Moment Variable ND Filter Review: Easiest Way To Get That Cinematic Look
Slash time spent in post-production and save on costly devices; an ND filter holds the key to unlocking unparalleled creative control.
Built like a tank yet shines win affordability — Moment’s Variable ND Filter is the secret sauce to ultimate image control. Made with a gorgeously tough German Schott B270 Pro Cinema Glass, Moment's VNDs are crisp edge to edge without ugly purple color fringing or cross-polarization.
To Know:
VND's are either crazy expensive or just doesn't hold up when it matters. Nothing really hit that sweet spot of solid quality, intuitive design, and a price that didn’t make us wince. So the Moment Team decided to make their own.
These are built tough, with aerospace-grade metal rings that feel sturdy but not bulky. What really sets them apart, though, is the flared shape around the edge. It’s a small design tweak, but it means you can actually see the ND stop you’re on while looking through the viewfinder, which makes adjusting the settings way easier, especially when you’re in fast-changing light (hi, Los Angeles).
There are hard stops at both ends too, so you don’t accidentally twist past the usable range and mess up your shot with cross-polarization.
What We Love:
Premium Glass
A+ cinema glass.
A New Level of Control
You can see the stops you're controlling for a more precise adjustment.
Zero Cross Polarization
It's got hard stops at both ends of the working range, making sure you don't get any unwanted cross-polarization.
The Details:
Brand: Moment
Product Type: Variable Neutral Density Filter (VND)
Best For: Photographers and filmmakers in harsh lighting conditions want to control their exposure and add cinematic butter to their film reels.

What I’ve Noticed (& Really Like)
I’ve been using the Moment VND for a bit now and here’s my take. First off, it just looks sick. The red inner ring and that magenta sheen on the glass give it this super premium vibe. Doesn’t really change how it works, but it’s fun when your gear looks this good.
The filter itself is great. Easy to screw on, smooth to turn, and the little flared edge makes it so much easier to see your ND stops when you're behind the camera. No more awkward head tilts trying to figure out what stop you’re at. It’s the kind of detail you don’t think about until you use it, and then you’re like, oh yeah, this makes total sense.
Now, the case it comes in is… honestly pretty cool. It’s this cool black-on-black metal thing, which looks clean and keeps it protected. It almost looks like a blush container, where you flip it open for easier access so you don't have to twist it open like the other filters I've used. Huge props to Moment for keeping the packaging minimal and not overdoing it with foam and plastic in the box.
Note: The Moment variable ND filters were initially released in 67mm, 77mm and 82mm diameters. But now, they're available in more sizes including 58mm, 62mm, and 72mm. Lots more options, yay.
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Read moreTook the Moment VND out for a few shoots and, honestly, it holds up really well, especially considering it's way more affordable than a lot of the high-end options out there. There's a slight warm color cast, but nothing that can't be corrected in post (or even just embraced, depending on your vibe, I'm here in California sports ti's fitting). There's no weird green tint or funky shifts, more like a subtle warmth that most people won’t even notice.
The REAL win is the no X-pattern. If you’ve used cheaper VNDs before, you know the pain. That weird cross-shaped interference that ruins your shot in direct light. There's no heavy vignetting either, which is impressive given the polarization you'd see na pair of sunglasses.
I only use VND's for video over photography; you can keep your shutter speed where it should be (like 1/60 when shooting 30fps) even in full sun. The 2–5 stop version covers most everyday scenarios, but there’s a 6–9 stop if you’re working in really bright spots in midday or want those extra-long exposures. Just twist the ring to control how much light you're letting in.
It’s coated to hold up in the wild, and has a few different hard stops on both ends so you’re not spinning past the range, and it still works with your regular lens caps and step-up rings.

One & Done
Even when I push it to the highest ND setting, I haven’t seen any of the nasty cross-patterns or vignetting that I’ve run into with other filters—especially on wider lenses. That was the dealbreaker with my old Tiffen VND, which I ended up returning. This one just works, even when I’m shooting fully wide.
I’ve used it on wedding gigs, on hikes, in bright mid-day sun—and it hasn’t let me down yet. Definitely one of those pieces of gear that just works, and makes me want to keep it on my lens all the time.
What It Has:
- Laser-etched markings allow you to see your stop from behind the viewfinder.
- Body machined from aerospace-grade metal to withstand use, drops, and adventure.
- Knurled grip texture for more control and easy removal from lenses
- Conical geometry acts as a microlens hood, cutting unwanted glare and reflections.
- Includes a foam-lined, metal carrying tin for protection on the go and a microfiber cleaning cloth
What It Does:
- Make your footage look more cinematic
- Applies full manual control over exposure
- Built-in stops prevent any unwanted cross polarization
- Ensure crispness edge-to-edge, without vignetting
Specs:
- Outer Diameter:
67mm — 81.16mm
77mm — 91.16mm
82mm — 96.16mm - Depth:
67mm — 9.05mm
77mm — 9.05mm
82mm — 9.05mm - Weight:
67mm — 39.7g
77mm — 47.9g
82mm — 51.8g
