Which X-Series Fujifilm Camera Is Right For Me?

1. X100VI vs. X-T50

These two models are among the best-sellers and are very similar, with just a few core differences.

The main distinction is that the X-T50 supports interchangeable lenses, while the X100VI has a fixed 28mm wide lens that cannot be swapped. Despite this, both cameras share the same impressive sensor and technical specifications, including a 7-stop IBIS and 40.2 megapixels. Their highly capable photography features make both models stand out in the Fujifilm lineup, especially considering their compact sizes. The X-T50, however, boasts a more petite frame and can be as compact — or even smaller — than the X100VI when paired with a pancake lens.

Both cameras use APS-C sensors rather than full-frame sensors. In today's market, the difference between APS-C and full-frame sensors is often insignificant unless you're a pixel-peeper planning to print images in extra-large sizes. For hobbyists or professional photographers seeking a more casual option for everyday shooting, an APS-C sensor is an excellent choice. On the other hand, full-frame sensors provide greater versatility and superior manual control, making them ideal for long-term professionals in commercial or advertising sectors who require the highest resolution.

Ultimately, the choice between the X100VI and the X-T50 depends on whether you want an interchangeable lens system. Personally, I favor a camera that allows access to various focal ranges, especially when investing over $1,000. While the X100VI is a beautifully designed, state-of-the-art camera, it can feel more like an eye-catching bragging trophy rather than a technological standout. It attracts attention with its sleek design but doesn't offer significantly advanced tech specs or capabilities.

2.) X100VI vs. X-E5

The Fujifilm X-E5 and X100VI have a lot in common — including that insane 40.2MP sensor — but they’re built for different kinds of shooters. The X100VI is a beautiful, fixed-lens camera that’s all about simplicity and style. The X-E5, on the other hand, gives you way more creative freedom with interchangeable lenses. Throw on a compact lens like the 23mm f/2.8 and it becomes a true one-hand street shooter. But you can also swap in a zoom or a portrait lens when you need to, which makes it a more flexible option in the long run.

Design-wise, the X-E5 still carries that sleek, analog-inspired look that people love about the X100VI. It’s slim, stylish, and easy to carry — whether you’re walking around a city or working as a second shooter at a wedding. It feels more polished than the older X-E4, with better grip and build quality, and still small enough to stash in a bag. And with the X100VI still stuck on waitlists, the X-E5 might just be Fujifilm’s next cult favorite.

3. X-M5 vs. X100VI

Fujifilm’s latest reveal of the X-M5 changes the game for hybrid creators who want a super-compact setup. It’s modern and sleek — just like the rest of the newer X-series lineup — but comes with a few quirks (no IBIS, an iffy LCD screen, and no EVF). Still, these are relatively minor complaints, and you get a stunning 26MP sensor at a pretty accessible price point. Many creators are calling it their new go-to compact hybrid over the X-S20 or X-T30 II, while others say it’s an even better all-around shooter than the X100VI (unsure if I agree though).

Because to be fair, the X100VI is more robust. It has that nice, larger 40MP sensor with incredible optics and has a slightly more “trophy-worthy” size than the X-M5. It’s a camera that might get you a few more nods from fellow shooters, but at the end of the day, that’s all personal preference.

Both cameras are fantastic entry-level choices. If you’re more about hybrid shooting on family trips, the X-M5 is your best bet. But if you’re a more serious photographer craving those top-notch optics and don’t mind a longer wait, stick with the X100VI. Either way, you can’t go wrong.

5. X-H2s vs X-T5

Both camera models are top-notch flagship options for top and video creators, but the primary difference is that the X-H2s is better equipped with video capabilities that cater to filmmakers, while I'd argue the X-T5 is best suited for professional-level photographers.

The X-T5 is compact and lightweight, making it a go-to to use for daily documentation. Paired with smaller F2 primes, it's an ideal daily setup for any professional. However, its build quality is a bit more delicate, so it's not the camera you want to toss around in a backpack during travel.

The X-H2s, on the other hand, carry all the positives of the Fujifilm X-H2 plus more. Although it has a slight drop in resolution compared to the X-H2, it makes up for it with speed. It offers more dynamic range, less ISO noise, and less rolling shutter during recording. This makes it perfect for filmmakers and Fujifilm's first video-centric camera, boasting the ability to record up to 6K in Blackmagic RAW and more.

6. X-S20 vs X-T30 III

X-S20 vs. X-T30 IIIIf you’re choosing between the X-T30 III and the X-S20, it really comes down to preference — do you want something more photo-dedicated, or a true hybrid?

The X-T30 III leans classic SLR-style and photo-first, with Fujifilm’s latest film simulations front and center on a dedicated dial and smarter subject-detect AF that acts fast. It’s small, light, and easy to trust in aperture-priority mode, with a true Auto switch for those act-quick moments, and it still sports a nice built-in pop-up flash for nighttime. It’s an awesome choice for creators wanting to get their first “real” digital camera after their iPhone.

Under the hood, you’re looking at the familiar 26MP X-Trans sensor, clean menus, and that pocketable, vintage feel that mirrors the X-S20. But where it draws the line is video. The X-T30 III still doesn’t have in-body image stabilization, the mic port is the odd 2.5mm, and the screen tilts rather than flips. The X-S20, however, pulls ahead with a smoother IBIS during handheld footage, and its fully articulating screen makes self-shooting completely painless. The overall setup feels a lot friendlier if motion work is a big part of your everyday shooting routine.

So, grab the X-T30 III if you want a smaller, lighter everyday Fujifilm that celebrates shooting slow and making pretty files straight out of the camera. And reach for the X-S20 if your travel rig needs steadier handheld video and a body that’s built to live half its life in Frame.io.