Sony's Next Best Lens? The Sony 16-35mm F/2.8 GM II Overview

Mia Moran @miaxmoran

November 17, 2024

Over 5 years since its release, the 16-35mm F2.8 remained one of the most popular zoom lenses for Sony use. Now the Mark II version is here with corner-to-corner sharpness, a lighter design than ever before, and extra fast autofocus to capture every shot.

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The missing piece completes the MK II 'Trinity', making the 16-35mm F/2.8s the smallest and lightest. The design of this lens gives you extra sharp, beautifully lit captures and oh-so-pleasing bokeh across its entire zoom range. Plus, its advanced optical design means reduced aberrations, corner-to-corner sharpness, and even faster autofocus. To top it all off, it’s extra robust and dust and moisture-resistant, making it the go-to choice for adventurous pros who crave a mountain goat for their gear. We were honored to be among the first creators to get our hands on the lands for a week's worth of field tests, and we’re highly impressed. Check out our video highlighting more of the lens, including Sony’s newest A7C II and A7C R cameras (read our review on those here), linked above. Let’s dive in.

The right lens is the latest; smaller and more compact!

How Does It Compare To Its Predecessor?

As a seasoned photographer, I've seen and tested many camera lenses on the market, from Canon to Fujifilm to Sony. However, this Sony FE 16-35mm f/2.8 GM II lens stands out from the crowd and is an impressive upgrade from its ultra-wide predecessor.

First, the 74th Sony E-mount lens and the 51st full-frame release already speak volumes about its resolution. It shares insane-level performance with a standard zoom lens that covers the ultra-wide range. Comprising 15 elements in 12 groups, it is the smallest and lightest in its class, surpassing its predecessor by 20% lighter and 10% smaller. Additionally, there are four major areas of enhancement: resolution at the corners, chromatic aberration, flare and ghosting, and close-up macros.

The latest optical design and the latest floating focus mechanism give close-up shooting as close as .22m across the entire zoom range, resulting in even more delectable bokeh. The minimal focus is breathing and supports the breathing compensation function of compatible bodies. And for the cherry on top, it supports blackout-free 30FPS and AF tracking while zooming.

Who Is It For?

It’s a dream come true for photographers and filmmakers who crave versatility, performance, and artistic freedom. The improvements in corner resolution and chromatic aberration make it ideal for those who refuse to compromise on image quality, making it the kind of lens you want to invest in or upgrade if you're on the fence. The reduced flare and ghosting make it a top pick for shooting in super subpar light conditions, while the close-up capabilities give you an out-of-this-world level of detail. In short, it’s the lens for creatives who demand the best and are ready to push the boundaries of their images.

Is This Lens Good for Filmmakers?

Sony’s latest is made for hybrid shooters, and while it’s a bit of an investment, here’s why it’s worth it.

First, focus-breathing reduction. Ever notice that shift in your frame when you adjust focus? This lens keeps it steady, avoiding those subtle, unintentional angle changes mid-shot. Plus, it minimizes focus shift while zooming, meaning you stay sharp and consistent whether zooming in or out, perfect for that smooth, pro-level look.

The latest Active Mode image stabilization keeps your shots steady, even on ultra-wide frames, and with a near-constant center of gravity, you won’t be adjusting your gimbal every five minutes.

Plus, it's just super lightweight, and travel-friendly; this lens is built for long days and far-flung shoots, capturing whatever shot you have on the shot list easily.

Worth The Price?

Dropping $2,499 on a Sony lens might seem steep, especially with more affordable options out there and strong alternatives from Sigma. But if you’re waiting for that perfect ultra-wide upgrade, this one is worth every cent. After six years of refining and listening to feedback, Sony’s delivered a lens that’s all about quality and versatility, perfectly suited to capture almost anything—and lightweight to boot.

I rarely call an upgrade essential, but this one is just that. Nicely done, Sony.